Using Ableton Link with the ELK music operating system is very welcome, as I’ve been keeping an eye on this particular technology. The possibility to sync VJ applications and lighting equipment, hardware such as the Akai MPCs, as well as more open‑ended software like Max and Supercollider, means that Pro Tools can now join this Link‑based creative party. The performance‑based focus of Ableton Link doesn’t stop at impromptu iPhone jams, though I can confirm that these are great fun. Because the 'beat clock' is shared across a network it can be shared wirelessly, and it is in this guise, as a way to keep iOS devices playing together in time, that it is best known, but there are many products, including some hardware, which are Link-enabled. By ‘time’ I mean in the sense of tempo this isn’t to do with sample clock. The idea behind Ableton Link is simple: it’s a way for devices to share a common time reference across a local network. This, for me, has been the most significant new feature, though version 2020.9 also made some changes to the way Pro Tools works with Cloud services, as well as adding a couple of exciting new features and incorporating the usual bug fixes.Ībleton Link support is the first of these new features and is the easiest to appreciate, as it brings this simple but addictive feature (already in use by Ableton, Reason, Bitwig and many more desktop apps) to the rather longer‑in‑the-tooth Pro Tools. Released in September, Pro Tools 2020.9 coincided with a new version of EuCon, and brought proper support for Folder Tracks in the Avid Control app. We explore Ableton Link, record arm options and other new features from the 2020.9 update.
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